Paper towns monologue1/2/2023 A strong supporting cast that includes a trans girl completes this striking debut.Ī must-read with a conclusion that will leave readers craving more.In The Catcher in the Rye and Looking for AlaskaĪmericana: The Journal of American Popular Culture Language is a tool wielded deftly by the multilingual characters, who switch easily among English, French, Shanghainese, Russian, and more, with Mandarin as the primary dialect for Chinese phrases. Allusions to Romeo and Juliet are evident in names and specific scenes, but familiar themes of family, loyalty, and identity bear new significance in Gong’s inventive adaptation. ![]() The slow-burning romance in this book takes a back seat to the gripping mystery grounded in immersive historical detail. But when a lethal contagion strikes the city, targeting Scarlets and White Flowers alike, Juliette and Roma grudgingly agree to cooperate on an investigation in order to save their city. Four years ago, a betrayal by the White Flowers heir, Roma Montagov, a young man of 19, led to the deaths of countless Scarlets, and Juliette is determined to avenge her gang. Eighteen-year-old Juliette Cai has returned home from New York City, wreathed in a reputation for ruthlessness and ready to step into her role as heir to the Scarlet Gang. Foreign powers have carved out portions of the city for themselves what remains is divided between two feuding gangs, the Chinese Scarlet Gang and the Russian White Flowers. It is the autumn of 1926, and Shanghai is poised at the brink of transformation. Revolution supersedes romance, setting the stage for action-packed surprises.Īn inventive, character-driven twist breathes new life into tired fantasy trends.Ī monster spreads madness through the streets of Shanghai. However, Aveyard weaves a compelling new world, and Mare and the two men in her life evolve intriguingly as class tension rises. Mare is revealed as a great catalyst for change among classes and is groomed from rags to riches, and of course, seemingly kind characters turn out to be foes. Once inside the palace walls, it isn’t long before Mare learns that powers unknown to red-blooded humans lie within her, powers that could lead a revolution. She stumbles into a mysterious stranger after her plan goes awry and is pulled out of her village and into the world of Silver royalty. When Mare’s best friend, Kilorn, loses his job and is doomed to conscription, she is determined to change his fate. The Silvers literally bleed silver, and they can manipulate metal, plants and animals, among many other talents. ![]() She contributes to her poor family’s income the only way she can, stealing from the Silvers, who possess myriad powers and force her and her fellow Reds into servitude. Lighter than Looking for Alaska (2005), deeper than An Abundance of Katherines (2006) and reminiscent of Gregory Galloway’s As Simple as Snow (2005)-a winning combination.Īmid a war and rising civil unrest, a young thief discovers the shocking power within her that sparks a revolution.Īt 17, Mare knows that without an apprenticeship or job, her next birthday will bring a conscription to join the war. ![]() Genuine-and genuinely funny-dialogue, a satisfyingly tangled but not unbelievable mystery and delightful secondary characters (Radar’s parents collect black Santas)-we’ve trod this territory before, but who cares when it’s this enjoyable? The clues lead to Margo’s physical location but also allow Q to see her as a person and not an ideal. Then Margo takes Q on a midnight adventure and disappears, leaving convoluted clues for Q. Now it’s senior year Margo is a legend and Q isn’t even a band geek (although quirky best friends Ben and Radar are). Quentin (Q) has loved Margo Roth Spiegelman since they were kids riding their bikes, but after they discovered the body of a local suicide they never really spoke again. Printz Medal Winner and Honoree Green knows what he does best and delivers once again with this satisfying, crowd-pleasing look at a complex, smart boy and the way he loves.
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